Articles
Every guide on Font Atlas, newest first. Written for people who ship: designers choosing brand type, developers loading web fonts, and anyone who wants their documents to look considered.
Every guide on Font Atlas, newest first. Written for people who ship: designers choosing brand type, developers loading web fonts, and anyone who wants their documents to look considered.
It looks like the film industry being stubborn about a typewriter font. It isn't — Courier at 12pt is a measuring instrument, and one page really does equal one minute.
Logo type is a different problem from web type: it must survive embroidery and billboards, stay recognisable for a decade, and be legally yours to use. A method that accounts for all three.
Variable-first workflows, expressive serifs, huge type as layout, and the quiet return of humanist sans — what's actually shaping typography this year, and what's just churn.
Choosing weights, embedding efficiently, self-hosting, and the GDPR question — a complete walkthrough of the world's most-used font service.
The three kinds of typographic spacing, untangled — with an interactive demo you can drag, a CSS reference, and the values that actually work.
The fonts already installed on every device are better than you think. Copy-paste stacks for sans, serif, and mono — and when native isn't the right call.
Fonts carry associations the way voices carry accents. What the research shows about type and perception — and how to use it without being manipulative.
Screen-tested open-licence fonts for interfaces, marketing sites, and long-form reading — with the use case each one is actually good at.
Paul Renner's 1927 geometric experiment outlived the Bauhaus, went to the Moon, and still sells luxury goods. The full story.
Font choice, size, spacing, and contrast decisions that make text readable for low-vision, dyslexic, and ageing readers — grounded in WCAG, not myths.
WOFF2, font-display, preloading, subsetting, and fallback matching — a practical checklist for typography that doesn't hurt your Core Web Vitals.
Typefaces that read cleanly on screen and paper, survive applicant-tracking systems, and make a one-page CV feel considered rather than default.
Five centuries of a Renaissance classic — and why half the fonts called "Garamond" are actually based on someone else's work entirely.
One file, hundreds of styles. How variable fonts work under the hood, what design axes are, and how to use them in CSS today.
Open-licence typefaces with enough character, enough weights, and enough language support to carry a real brand identity.
Desktop, web, app, and open-source licences explained without legalese — plus the common mistakes that end with an invoice from a foundry.
How a Swiss grotesque from 1957 became the most famous typeface on Earth — and why designers have argued about it ever since.
Stems, bowls, counters, apertures, terminals — learn the parts of letterforms and you'll finally be able to say why two fonts look different.
The oldest debate in typography, settled with evidence instead of folklore — plus a side-by-side tool for comparing the two in your own words.
Font pairing feels like taste, but most good pairings follow a handful of learnable rules: contrast, hierarchy, and the superfamily shortcut.